presonus studiolive 16.4.2 used in great condition

Description

presonus studiolive 16.4.2.
tech specs
Audio engineers sure are a demanding bunch. The want their mixers to be feature-filled, yet easy to use; expandable, yet compact; powerful, yet affordable. And naturally, we want the convenience of digital with the warmth of analog. The PreSonus StudioLive 16.4.2 digital mixer meets the most discerning engineer's demands (and budget) with clear, warm mic preamps, an impressive array of top-notch digital effects, and a FireWire audio interface for 32-channel multitrack recording -- making the 16-channel StudioLive a formidable mixing console, whether in the recording studio or on the road.
Plenty Of Routing
Sixteen class-A, high-headroom XMAX preamps feed sixteen input channels for plenty of mixing flexibility. Full band setups with multiple singers are no problem with the StudioLive 16.4.2. To make mixing on the fly easier, assign your inputs to one of four subgroups to get single-fader control over all the drum mics, or all the backup singers, for example. Additionally, use 6 auxiliary outputs to send discrete monitor mixes to different areas of the stage, or route them to your outboard effects rack. There's even a complete talkback section (with its own dedicated mic input) for easy communication with performers, whether live or in the studio. Need more than sixteen input channels? Simply daisy-chain a second StudioLive unit and get perfectly synced 32-channel mixing, thanks to the board's FireWire capabilities.
Leave Your Outboard Gear At Home
Fat Channel and 32-bit effects processing are what make the StudioLive such a powerful -- and self-contained -- mixing solution. The intuitive Fat Channel design puts high-precision EQ, compression, gating and limiting on every channel. Simply press the select button above a channel's fader, and the Fat Channel display is populated with that input's settings, all laid out graphically before you. You'll be able to quickly and confidently make equalization and compression adjustments, and because all this processing is done internally, you don't have to rely on any external compressors, gates, or noise suppressors. Need a great snare drum sound fast? Easily pull up and tweak the onboard presets -- or save, copy, and paste your own settings. In addition to the Fat Channel processors on each channel, there's a full complement of aux-send effects, including studio-quality reverbs, echos, delays, choruses, and more, with the same 32-bit processing. The StudioLive 16.4.2 even sports a dedicated tap-tempo button for using time-based effects in live performances. You can even store and recall favorite effects "scenes" for each tune you do live. Now you can rock the same vocal delay live that worked so well in the studio. The PreSonus StudioLive 16.4.2 could be the next "touring member" of your band.
FireWire Support And
Capture
Recording Software
PreSonus has outfitted the StudioLive with impressive recording tools for both live and studio situations -- just like the name says. Hook the unit up to your Mac or PC and you get 32x16 audio recording over FireWire. Every input channel, every aux, and every subgroup can be routed to the FireWire inputs for impressive tracking flexibility. Best of all, the mixer ships with dedicated live recording software called Capture. Connect the FireWire cable, load Capture on your computer, arm your tracks and hit record...it's that easy. Of course, you can also use it with all the major multitrack recording software, like Pro Tools, Cubase, Nuendo, Logic, etc. And for studio situations, you can add multiple channels by connecting additional FireWire gear -- like a PreSonus FireTube or PreSonus ProjectStudio -- for virtually limitless expandability. You can even use the StudioLive 16.4.2 as a tape return mixer to add true analog summing to your digital sessions.
A digital mixer with onboard effects is a the perfect solution for gigging bands that want to record in their rehearsal studio. And if you're a live venue that's looking to offer recording capabilities to your artists, look no further. The powerful, affordable PreSonus StudioLive 16.4.2 16-Channel digital mixer/audio interface has arrived.
Features
- 16 mic/line inputs have high-headroom class-A XMAX preamplifiers with 80 dB of mic gain and +48V phantom power, each on their own channel strip with 100mm faders and access to Fat Channel functions
- 4 subgroup buses, stereo/mono main outs, and 6 aux mixes with access to Fat Channel functions
- Fat Channel functions include pan, stereo link, phase reverse, high-pass filter, 4-band semi-parametric EQ, gate, compressor, limiter, and output assign - with 50 Fat Channel factory presets for drums, bass, guitars, keyboards and vocals
- Two FireWire ports; 32-in/18-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz) with bundled Capture recording software and Studio One Artist Digital Audio Workstation software for Mac and PC - or record to any DAW with the FireWire interface
- High-definition analog-to-digital converters with 118 dB dynamic range
- Unlimited-headroom, 32-bit floating point digital mixing and effects processing
- Lighted Solo and Mute buttons and 15-LED ladder metering plus clip LED
- Talkback system with XLR input, output select and Talk button
- Rugged steel chassis; military-grade, quick-touch buttons
Virtual StudioLive (Mac/Win) and StudioLive Remote (iPad)
PreSonus Virtual StudioLive software for Mac and Windows provides bidirectional control of the StudioLive 16.0.2 digital mixer. Now you can see and control the most-used mixer parameters onscreen, including channel, subgroup, aux send, and main levels, as well as Fat Channel, effects, and graphic EQ settings.
Control the mixer with a mouse or watch VSL update when you adjust the hardware. Drag Fat Channel presets onto all 16 channels in seconds. Mute or solo every channel with a sweep of the mouse. Apply a Scene to the whole mixer just by dragging it on VSL from a list you see at all times. Collect and trade Scenes with other StudioLive users.
To top it off, you can control VSL - and therefore, your StudioLive mixer - from an Apple iPad. With PreSonus StudioLive Remote for iPad (free from the Apple App Store), you can walk around the venue and tweak the mix, in real time, from any location, fixing monitor mixes from the stage and eliminating sonic problems on the spot.
- Easy drag-and-drop workflow
- Drag presets directly to channels
- Drag parts of presets directly to components in the Fat Channel
- Adjust the Fat Channel gate, compressor, and EQ plus the graphic EQ and effects
- Quickly drop entire Scenes to the mixer to instantly load all channel, effects, and graphic EQ settings
- Load effects quickly by simply dragging presets into the GUI
- Use the mouse to quickly assign channels to multiple buses, mute, solo, etc.
- Store and organize presets on your computer, then transfer them to your mixer for that night's gig
- Create presets on the road, store them to the mixer, then drag them to your preset pool the next time you're connected to the computer
- Reorder presets in mixer memory and in the software to best fit your workflow for each gig
- Share presets with friends; drag presets out of the browser and email, IM, or disk-swap presets with other StudioLive owners
- See all of the most-used parameters on the mixer at once
- See the state of all Fat Channel settings at once
- See all aux mixes at once
- See the current effects and other parameter settings
- View and graphically edit all parametric EQ and compression curves
- View and graphically edit all graphic equalizer settings
- Do time-stamped backups of the entire mixer
- Remote control the mixer from an iPad using StudioLive Remote software.
Q-Mix Wireless Aux-Mix Control Software for iPhone and iPod touch
With QMix, you can enjoy wireless remote control of any PreSonus StudioLive(TM) mixer's aux sends from up to ten Apple iPhones or iPod Touches. Let performers create their monitor mixes from individual iPhones. With the Wheel of Me, you can select multiple "Me" channels and control their levels simultaneously. Requires a Mac or PC running PreSonus Virtual StudioLive.
- Runs on an Apple iPhone or iPod touch with iOS 4 or higher
- Provides wireless control over aux mixes in Virtual StudioLive and hence, over aux mixes in any StudioLive-series digital mixer
- Portrait view shows Wheel of Me, where you can select multiple "Me" channels and control their levels simultaneously
- Landscape view provides control of all aux-send levels and panning (for linked auxes)
- Aux mixes can be named (up to 10 characters)
- Control the auxes on any StudioLive mixer on the wireless network from one iPhone or iPod touch
- Multiple iPhones and iPod touches can control the same StudioLive
- Set permissions in VSL so each iPhone and iPod touch can control only one specific aux mix
Free from the Apple App Store
Technical Specifications
Microphone Preamp 1-16 (XLR Balanced)
Type
XLR Female, Balanced
Frequency Response to Direct Output
20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output
20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced)
1 kΩ
THD to Direct Output
< 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output
+125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output
-97 dB
S/N Ratio to Main Output
-94 dB
Common Mode Rejection Ratio
+65 dB
Gain Control Range
-16 dB to +67 dB (± 1 dB)
Maximum Input Level (unity gain)
+16 dBu
Phantom Power
+48 VDC
Line Inputs
Type
¼" TRS Female, balanced mono
Frequency Response to Direct Outputs
10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs
20-20 kHz, ±0.5 dBu
Input Impedance
10 kΩ
THD to Direct Output
<0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output
-105 dB
S/N Ratio to Main Output
-94 dB
Gain Control Range (±1 dB)
-20 dB to +20 dB
Maximum Input level (unity gain)
+22 dBu
Tape Inputs
Type
¼" TRS Female, balanced mono
Maximum Input Level
+10 dBu
Auxiliary Inputs
Type
¼" TRS Female, balanced (2 stereo pairs)
Maximum Input Level
+22 dBu
Main Outputs
Type
Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level
+24 dBu
Output Impedance
100Ω
Aux Outputs
Type
¼" TRS Female, balanced (mono)
Rated Output Level
+18 dBu
Output Impedance
100Ω
Subgroup Outputs
Type
¼" TRS Female, balanced (mono)
Rated Output Level
+18 dBu
Output Impedance
100Ω
Tape Outputs
Type
RCA Female, unbalanced (stereo pair)
Rated Output Level
+18 dBu
Output Impedance
100Ω
Control Room Outputs
Type
¼" TRS Female, balanced (stereo pair)
Rated Output Level
+18 dBu
Output Impedance
100Ω
System Crosstalk
Input to Output
-90 dBu
Adjacent Channels
-87 dBu
Noise Gate / Expander
Threshold Range
-84 dB to 0 dB
Attack Time
0.5 ms
Release Time
0.05s to 2s
Expander Attenuation Range
2:1
Noise Gate Attenuation Range
∞
Compressor
Threshold Range
-56 dB to 0 dB
Ratio
1:1 to 14:1
Attack Time
0.2 ms to 150 ms
Release Time
40 ms to 1000 ms
Auto Attack and Release
Attack = 10 ms, Release = 150 ms
Curve Types
hard and soft knee
EQ
Type
2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass)
36 to 465 Hz, ±15 dB
Low Mid
90 Hz to 1.2 kHz, ±15 dB
High Mid
380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass)
1.4 kHz to 18 kHz, ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz)
118 dB
DAC Dynamic Range (A-wtd, 48 kHz)
118 dB
FireWire
S400, 400 Mb/s
Internal Processing
32-bit, floating point
Sampling Rate
44.1, 48 kHz
A/D/A Bit Depth
24
Reference Level for 0 dBFS
+18 dBu
Clock
Jitter
<20 ps rms (20 Hz - 20 kHz)
Jitter Attenuation
>60 dB (1 ns in ≈ 1 ps out)
Power/Environmental
Connector
IEC
Input-Voltage Range
100 to 240V, 50-60 Hz
Power Requirements (continuous)
100W
Temperature Range
0-40 degrees Celsius
Physical
Length
22.35 inches (568.06 mm)
Width (chassis only)
17.22 inches (437.40 mm)
Width (with rack ears)
19 inches (482.60 mm)
Maximum Height
6.90 inches (175.26 mm)
Weight
23 lbs.